Devious Fish
pianod2 Documentation

pianod2 Documentation

pianod2 is a Pandora music service client as a UNIX daemon. pianod2 uses the football socket library to expose both IPv4 and IPv6 sockets for control, which can be done via nc(1), telnet(1), or other connection. Football also provides support for HTTP and Websocket protocols.

The package includes piano, a shell script to access and control the music server. This allows control from other shell scripts, and provides a reference implementation for communicating with the daemon.

Warning: Although similar to the original pianod protocol, enhancements in pianod2 are incompatible. If you are working with the original pianod, refer to the documentation included with the original.

This documentation is include with pianod2 in Markdown format. It is also available in HTML.

Status of this document

Pianod2 is still in development, and information herein is subject to frequent change.

Protocol Details

pianod2 Socket Interface

Following in the traditions of FTP, SMTP, POP, and other UNIX services, pianod2 accepts single-line commands and returns responses in the form of:

nnn Descriptive Text Here

A command is a series of terms separated by spaces. Terms are either:

  • A bare word
  • A series of words surrounded by double quotes. The opening double quote must immediately precede the first word, the closing quote must immediately follow the last word. Quotes in other places are treated as part of the term. There is no literal mechanism.

For example:

rename "Classical, Choral" to "Classical, Artistic Moaning"

This holds for all commands except filter expressions. A filter expression is parsed independently and obeys different rules. A filter expression must not be quoted:


The filter expression starts at “ARTIST”. See Filter Grammar for details.


A line (either command or response) on line-oriented socket interface is equivalent to one Websocket packet. The commands and response strings are identical, except that newlines are not included.

Response format

pianod2 responses take two forms:

nnn Descriptive Text
nnn Title: Value

nnn is a numerical status that should be used when interfacing with with other software.

  • For status message, descriptive text provides an explanation and possibly details. It is not internationalized but is subject to change.
  • For data messages, titles are composed of exactly one word (or use CamelCase), which is followed by colon, space, and a value.

Unlike many network services, pianod2 may spontaneously generate messages in response to playback changes, track changes, music mix changes, etc. The 6 categories of messages are arranged to make separating the command-response messages from spontaneous messages.

See the code (response.h) for assigned field numbers. Below are details for special cases.

Status Messages

Status. These indicate status that is not command-related.
Data. These identify specific pieces of information sent by the server. These messages may occur spontaneously or as part of a data response to a command; see [Data Responses][].
Success messages. These occur in response to commands.
Error detail messages. Zero or more of these precede a 400-class message and provide additional details relating to that error.
Command error messages. These occur in response to a command.
Other server errors. These indicate problems that are not command-related. For example, a server being down.

In most cases, exactly one of either a 200- or a 400-group message will occur in response to a command; the exception to this is 203 Data responses. One or more 300-group messages may occur as a result of command, and always supplement or qualify a subsequent 400-group message.

Playback Status (001–009)

Messages 001–019 indicate playback status.

001, 002 & 003

Playback is playing, paused, and stalled respectively. The formatting for the messages is:

001 Playing: now/length/remain
002 Paused: now/length/remain
003 Stalled: now/length/remain

For example:

001 Playing: 02:27/04:12/-01:45

Stalled indicates the player should be playing, but is not, typically because of a buffer underrun caused by network issues.

The playing track has ended. This represents an event as opposed to a state.
The player is between tracks but cuing a song.
There is nothing playing or paused and the player will not start anything new for any reason: the player is paused, queue mode is stopped, there are no playlists selected, the queue is in requests mode but is empty, etc.

Queue mode

Regarding the difference between player state and queue mode: the player state is the CD player, the queue mode is the DJ.

Request-only mode.
Random play mode. If there are no requests, random selections will be played.



Selected source. This message indicates the source that will be used when processing requests on this connection. The response format is:

011 SelectedSource: id type name

For example:

011 SelectedSource: 1 manager Pianod
011 SelectedSource: 2 tonegenerator Pianod 

Selected playlist for this room, which may not coincide with the playing playlist: first, the playlist may have been changed since the song started playing; and second, the selected playlist may be a mix or everything playlist, which encapsulates other playlists. The data format is:

012 SelectedPlaylist: type name

where type is one of mix (a manually-selected playlist mix), auto (an autotuned playlist mix), everything (all playlists are mixing), or playlist (a single playlist). For example:

012 SelectedPlaylist: mix Foobar's QuickMix
012 SelectedPlaylist: playlist Jazz Fusion
012 SelectedPlaylist: everything Metamix Bibliotheque


Notifications simply alert that something happened or changed, but provide no additional detail. It is up the client to request data if appropriate.

Mix selections have changed.
The list of playlists has changed. Implies possible mix change. If a parameter is included, it is the ID of the playlist effected.
Playlist ratings have changed. Broadcast per-user.
Sources available have changed. Implies possible playlist change.
Song rating changed. Parameter is ID of song.
Queue changed. Indicates insertion, removal or reorder of the queue. Not sent when playback starts; queue advance in this case is implied by playback status message.



Track rating information. The rating line always includes the rating as an adjective, then a numeric value (0.5–5.0; 0 indicates unrated), then 0 or more seed indications. Some examples:

116 Rating: good 4.0 seed
116 Rating: unheard 0.0 artistseed albumseed
116 Rating: repugnant 0.5

Rating adjectives includes: Unrated, repugnant, awful, bad, poor, lackluster, neutral, okay, good, excellent and superb.

Seed indications include: seed, albumseed, artistseed

Playlist rating, which is per pianod2 user. These apply to the playing track’s playlist, not the selected playlist. Format and adjectives are similar to 116.
Actions. Indicates actions that may be taken for a given item. In addition to source capability variances, queue items may differ from search results (song suggestions) and seed listings (song seeds). Values include: request (the item may be requested), rate (the item may be rated), seed, albumseed, artistseed. Seeds apply to playlist actions; when included for a song, they indicate that the song may be seeded on the playlist from which it originates.

Data responses (203, 204)

Data responses occur in response to requests for playlist lists, current song, song queue, song history, etc. Data fields use the same numbering in both the response and spontaneous contexts, however, it is guaranteed that spontaneous data messages (100–199) will not occur between the initial 203 and final 204 of a response, allowing responses to be separated from other messages.

No Data

A single 204 End of data response occurs.

204 No data or end of data

Single field list

If data is available, then there is a single 203 Data, followed by 1 or more data items (100–199), and finally a 204 End of data.

203 Data
123 Source: manager
123 Source: pandora
123 Source: tonegenerator
204 No data or end of data
203 Data request ok
115 Playlist: Hard Rock Strength Training Radio
115 Playlist: New Age Beats Radio
115 Playlist: Chillout Radio
115 Playlist: Disco
115 Playlist: Symphonic, Classical Period
115 Playlist: Jazz Fusion
204 No data or end of data

Multi field list

If data is available, then there are one or more 203 Data responses, each followed by the individual data items. Following the last data group, a 204 End of Data occurs.

203 Data request ok
111 ArtistID: S479098
112 Album: Big 6
113 Artist: Blue Mitchell
114 Title: Sir John
115 Playlist: Jazz Fusion
203 Data request ok
111 ArtistID: S278345
112 Album: Look At All The Love We Found: A Tribute To Sublime
113 Artist: The Greyboy Allstars
114 Title: Doin' Time
115 Playlist: Jazz Fusion
203 Data request ok
111 ArtistID: S551643
112 Album: Tutu
113 Artist: Miles Davis
114 Title: Portia
115 Playlist: Jazz Fusion
204 No data or end of data

Note that fields in records may not be homogenous; queue items from multiple sources, for example, may have differing fields. Playlist seeds is another example, where depending each the seed’s type (artist vs. album vs. song) included fields will vary.


Several commands use a standard predicate form:

[manner] [type] <ID | NAME | LIKE | WHERE> {specifier}
[manner] [type] SOURCE ID {id} <ID | NAME | LIKE | WHERE> {specifier}
[manner] [type] SOURCE TYPE {type} NAME {name} <ID | NAME | LIKE | WHERE> {specifier}




Predicates accept item lists (ID, NAME) or are patterns that may match multiple items (LIKE, WHERE).

type does not apply if type is implied by the command. At present, it only applies to LIKE; if omitted when accepted, it is equivalent to ANY.

The predicate types are as follow:

The predicate is a list of IDs of a song, album, artist or playlist.
The predicate is a list of names of a song, album, artist or playlist (as appropriate for the command).
The predicate is a list of phrases. Each is split into words, and matches songs, albums, artists or playlists (as appropriate for the command or as specified by type) which contain all the words in the predicate.
The predicate is an expression which matches songs, albums, artists or playlists (as appropriate for the command) in accordance with the expression. See the filter grammar for details.
Allows a specific source to be specified for fulfilling a predicate.

manner has meaning when interpreting predicates against the media manager source.

Require all sources execute the query successfully. If any source cannot perform a query because the query exceeds its ability, the command fails.
Search sources that are capable of the query. If a source can’t perform a query, that source is ignored and results gathered from other sources.

If a source encounters an error (as opposed to a limitation), a discretionary search will still fail.

Infix vs. Suffix

Predicates may occur infix (in the middle of a command line) or suffix (at the end). Suffix predicates allow multiple parameters. Infix predicates, however, accept only one parameter as their parameter.

Furthermore, filter expressions (predicate form WHERE) are outside the standard Football/pianod command line parsing. The usual word boundary and quoting rules are not applicable, preventing WHERE predicates from infix use entirely.

Playlists vs. Others

  • Playlist predicates NAME, LIKE, and WHERE search playlist names only. Playlist ID predicates can accept playlist IDs or song IDs. A song’s playlist will be used if a song is given; it is an error if the song does not have a playlist.
  • Other predicates search albums, artists, songs and genres/playlists.


IDs are encoded with source, type, and a unique item identifier. Items can be retrieved by ID more quickly than via other methods; a decoded ID is routed to the correct source, which in turn probably uses hash tables. This gain only applies to ID predicate form (such as ID "3ss3578329"); building an expression that uses ID (such as WHERE ID = "3ss3578329") will function but, like most predicates, locate items by exhaustive comparison. Since the ID is unique, it guarantees the correct item is manipulated, and no side-effects to similar items.

Additionally, ID predicates are validated to ensure each item exists. With other predicate forms, lack of a match is not an error; for IDs, it is an error if a corresponding item is not found. If multiple IDs were specified, none are processed.

Thus, ID predicates are the “gold standard,” and should be used by client implementations whenever possible.

Filter Mechanism

Filter expressions are used with the WHERE predicate form.

History & Thanks

I originally developed the filter in late 2005 as a replacement for the mserv filter mechanism. It was backward-compatible with the original mserv filter, with new features and a performance boost. pianod2 retains a similar syntax but includes various enhancements.

My thanks to Kimmo Suominen for documenting the original mserv filter syntax.

This document describes the pianod2 filter syntax.


  • The filter parses the command line once to build a parse tree that is utilized to evaluating each song, artist, album, or playlist.
  • When matching, a filter uses short-circuit logic to improve performance.
  • Operators include substring searches, exact matches, and regular expressions and greater/less than on several fields.
  • There is a “search” field which matches on both artist, title, and album name fields; for playlists, the playlist name is matched on.
  • When comparing, “A”, “An” and ”The “ are skipped at the start of songs, so “request where author=beatles” will match both “Beatles” and “The Beatles”. A ‘*’ at the end of a string (but not the middle) acts as a wildcard.
  • Filter expressions may be arbitrarily long and complex.
  • Whitespace is allowed, allowing expressions to be more legible.

Operators and Precedence

  • () (highest)
  • comparison operators: = == != < > <= >= =~ “quoted text”
  • ! (negation)
  • | or || (binary or)
  • & or && (binary and) (lowest)

Evaluation is left to right.

Operator =~
Performs substring search operator (strings fields only).
Operator = and Operator ==
Both = and == are equivalence operators.
Operator !=
Inequivalence operator.
Operator <, >, <= and >=
Perform strings or numeric comparison appropriate to the data field.
Operator :
Not implemented yet. Perform regular expression matching.
“Quoted text”
Equivalent to SEARCH =~ “the text enclosed”. Use either single quotes (apostrophes) or double quotes.

The RHS of comparisons can be quoted. If the next non-whitespace character after the operator is a single or double quote, then the string is collected up to the close quote, which must be the same type as the open quote. The quote character may be inserted into the string by doubling it in place.

Ratings: superb, good, neutral, bad, awful, several other adjectives or a number between 0.5 and 5.0.



HEARD (songs)

True if the song has ever been played. Not all sources persist this information.

RATED (songs, playlists)

True if the song or playlist has been rated by any user, logged in or not.


True if the song has ever been played. Equivalent to LASTPLAY > 0.


True if an album is a compilation or a song is from a compilation album.


False is always false. Useful in creating expressions that return the empty set.


ID = {id}

True if the ID matches. No wildcards.

TYPE = type

Match only the specified type, which is one of: ARTIST or AUTHOR, ALBUM or ALBUMNAME, TRACK or TITLE or SONG.

ALBUM {cmp} pattern (also ALBUMNAME; applies to albums, tracks)

Compare album name. False for artists or playlists.

ARTIST {cmp} pattern (also AUTHOR; albums, songs)

Compare artist name. False for playlists.

TITLE {cmp} pattern (also SONG; tracks, playlists)

Compare song/track title. False for artists, songs or playlists.

PLAYLIST {cmp} pattern

Compare playlist name. False for artists and albums.

NAME {cmp} pattern

Compare primary field. For songs, compares titles; for albums, album name; for artists, the artist name; for playlists, the playlist name.

SEARCH [ = =~ ] pattern (all)

Compare the various components to the pattern. {cmp} can be any of the comparison operators. SEARCH checks artist name, album names, track title and and playlist name, and can not be used with less than/greater than.

GENRE [ = =~ ] {genre} (tracks, playlists)

True if a song or playlist belongs to genre. No wildcards, but =~ does a substring match rather than matching genre name - so for example, you could use GENRE =~ “ROCK/POP”. When using operator =, genres may be separated by commas, slashes and plus (common on FreeDb and CDDB).

{user} {cmp} {rating} (songs, playlists)

Compare the user’s rating for a song or playlist.

{user} = RATED

True if specified user has rated the item.


RATING {cmp} number

Compare the average rating of a song or playlist.

DURATION {cmp} number

Compare duration of song, in seconds.

LASTPLAY {cmp} number

Compare last played time, in hours.

TRACK {cmp} number

Compare track number.

YEAR {cmp} number

Compare year.

Unknown values vs. Nonexistent fields

When values are unknown, the comparison returns false. For example, year > 1955 returns one set of songs, year <= 1955 returns a second, but there is a third set of songs without any assigned year. These can be found with some finagling, such as !(year >= 1).

If a value does not exist, it is always false, even with preceding negation. For example a search for year > 1955 || year <= 1955 || !year >= 1 on an artist is false, because artists do not have years. However, a filter for year > 1955 | “Madonna” could be true, because the non sequitur portion of the expression does not preclude the rest being potentially true.

pianod2 Commands

Warning: Although similar to the original pianod protocol, enhancements in pianod2 are incompatible. If you are working with the original pianod, refer to the documentation included with the original.

Commands are not case sensitive. Quoting may be done with single or double quotes, but must match. Starting and ending quotes must respectively lead a word and trail words. The quote may be inserted into the string by doubling it in place:

  • “don’t stop”: don’t stop
  • ‘don’‘t stop’: don’t stop
  • "ain’t got nothin‘": ain’t got nothin’
  • "ain‘‘t got nothin’’": ain‘‘t got nothin’’
  • ‘ain’‘t got nothin’‘’: ain’t got nothin’
  • ‘ain’‘t got nothin’‘’ “don’t stop”: ain’t got nothin’, don’t stop (2 terms)
  • ‘ain’t got nothin’’ “don’t stop”: ain’t got nothin’ “don’t stop” (1 term)

Logging in

To authenticate with pianod2, issue:

USER {username} {password}

When the session is complete:


When scripting pianod2, A single command can be issued via:

AS USER {user} {password} {command}

This authenticates as the specified user, executes the command, and closes the connection. (WAIT commands are respected, and close when the waited-on event occurs.) The AS USER form does not broadcast user login/logout or effect autotuning. This is intended to ease implementation of simpler clients and automation systems that do not hold connections open.

A freshly installed pianod2 system will have a single user ‘admin’ with password ‘admin’.

After authenticating, a user can change their password:

SET PASSWORD {old} {new}


Help is displayed based on user rank and privileges; listeners will see only listener-only commands; administrators will see the full list. Specifying a command lists matching commands only.

HELP [{command}]


pianod2 supports multiple sources. A source can be:

  • A Pandora account
  • The built-in tone generator
  • A local media collection (i.e., mp3 files)
  • Other future sources
  • Pianod2’s media manager

Each pianod2 session has a current source. At login, the source is the media manager, assigned source #1, which aggregates all other sources’ playlists and collections.

When another source is created, it is assigned an ID which can be used to select that source:


Sources can also be selected by type:


type describes the kind of source, such as Pandora or tonegenerator. name may be specified when a source is created, but usually defaults to the pianod username.

To view the current sources:


Lists sources in use, those with stored credentials (which may or may not presently be in use), those owned by the user, and the types compiled into pianod.

Removing is broken into two aspects, disconnect and forgetting. Disconnecting sources parallels selecting:


This disconnects an active source, but if remembered or restored (see standard options below) its parameters are retained. These parameters may be removed by:


Forgetting removes stored parameters, but does not disconnect the source.

If a source is busy (currently playing a song), its removal is processed but deferred until it is free.

A single command may be executed with a different source:

WITH SOURCE ID {id} {command} …
WITH SOURCE TYPE {type} NAME {name} {command} …

Standard Source Options

There are some standard options when creating any source:

Persist the source options. For security, options are stored with the creating user’s data, not the owning user. Passwords are enciphered to prevent casual reading but are not stored in a cryptographically secure manner. May not be used with OWNER.
OWNED BY {user}
Assigns ownership of the source to the specified user. May not be used with REMEMBER.
Waits for the source to become ready. Depending on the source and conditions, this may be some time.
NAME {name}
Assigns a name; the default is the user’s name. The source type and name can be used to select sources. The type/name pair must be unique to add a source. A remembered source will overwrite an existing one with that type and name.
Set access for the source. DISOWNED: Nobody can manipulate the source. PRIVATE: Only the owner may use or modify the source. SHARED: Anyone may use the source, but only the owner can review details or modify it. PUBLISHED: Anyone may use or review the source, but only the owner may modify it. PUBLIC: Anyone may use, review, or modify the source.
SONG PROXY {proxy-mode}
proxy-mode may be DONOR, RECIPIENT, or NONE. When playing a song from a proxy recipient, pianod checks proxy donors for a matching item. If found, the donor item is transparently substituted. Donors incapable of requests are ignored.

Pandora Sources

Administrators and those with service privilege can add a Pandora source:

PANDORA [PLUS] USER {username} {password} [{connection options}] …

If PLUS is specified, Pandora Plus connection parameters and a higher audio quality are used. Otherwise, the standard values are used.

In addition to standard source parameters, connection parameters may include:

PROXY {url}
Set a proxy
Set a control proxy, typically for those outside the USA. For information on proxies, see The Onion Router (tor).
PAUSE TIMEOUT {#duration:15-86400}
When paused this duration (in seconds), playback is cancelled.
PLAYLIST TIMEOUT {#duration:1800-86400}
Playlist items expire this number of seconds after retrieval.
Choose the audio quality.
RPC HOST {hostname}
Set the Pandora RPC hostname.
RPC TLS PORT {#port}
Set the port for RPCs over TLS.
PARTNER {user} {password}
Set the Pandora Partner username and password.
Set the enciphering password for data sent to the server.
Set the deciphering password for data sent by the server.

To view a Pandora source’s parameters, select that source and:


Filesystem Source

The filesystem source uses a media collection from a local hard drive or mounted network drive (share).

FILESYSTEM ADD {path} [{parameters}] …

Path must be a fully-qualified path to a directory where media is located. Subdirectories are recursed to find media, but symbolic links are not followed. If adding a large collection, the initial add may take a while.

In addition to standard parameters, filesystem sources support:

Whether to rescan the filesystem media files on load. In addition to adding new media and removing missing media, the catalog is updated to reflect metadata updates in the files. An initial scan is done regardless of this setting. The source does not become ready until an on-load scan is complete. However, periodic scans are performed on the live source. The period is currently each day.
Controls amount of selection bias applied based on ratings. When set to 1, track selection is not effected by ratings. At 100, a top rating is preferred 10:1 over neutral, while a bottom rating preferred 1/20th a neutral-rated track.
Controls selection bias based on last play. At 1, no bias is applied; at 100, the chance assigned each song is roughly linear to the time since last play.

Rescanning for new media can also be requested on an active filesystem source. Use SOURCE SELECT or WITH SOURCE to choose a filesystem source, then:


The source remains available during rescan. Fresh rescans trash the existing index and rebuild. Playlists are retained. This fixes some problems (such as albums erroneously marked as compilations because of bad metadata, which has since been corrected), but risks changing the IDs assigned some media, effecting seeds and ratings.

Tone generator Source

The tone generator is used for audio testing, troubleshooting and debugging.


The tone generator includes 1KHz and 440Hz “A” test tones, all four Westminster quarters, a variety of telephone tones and the legacy EBS tone for when you really want people to go home at the end of the party. (The Intergalactic Computer Distress Signal may also serve this function effectively.)

Restoring from a persisted source/credentials

To use persisted source credentials:

{source type} USE {name} {connection options} …

name is the instance name given when originally created. Default naming varies by source type.


Pianod2 supports multiple output devices, each with its own sources, music, and other controls. Each output device is a pianod2 “room”, each room represents a zone in home automation scenario. The initial room is named pianod, and newly connected users start in that room. To create a new room:

ROOM CREATE {roomname} [{audio_options}] …

See Audio Configuration for more information on audio options.

To view available rooms:


To switch rooms:

ROOM SELECT {roomname}

The current room’s audio options may be changed:

ROOM RECONFIGURE [{audio options}] …

To remove rooms:

ROOM DELETE {roomname} [NOW]

roomname may not be the initial room (pianod). A song in play is allowed to complete, unless NOW is specified. Users in the room are logged out when the room is removed.

Status commands

Status commands are available to all users.

The “null” command is done by sending an empty line. This reports the status of playback and the playback time within the current song, if applicable.

Other status commands are:


Status indicates the current song, if there is one. It also causes player status, selected playlist and source, and current room to be announced (though these are outside the data response).

HISTORY LIST [{index}]
QUEUE LIST [{index}]

HISTORY LIST returns a list of items previously played, up to the history size limit, or the specific history item if an index is specified.

QUEUE LIST does the same for upcoming songs. The queue/playlist replenishes periodically when it it has become empty. The random queue may contain songs which are never played if their playlist is no longer applicable when they reach the front of the queue; in this case, they simply disappear. Furthermore, requests are always queued before any randomly chosen selections.

Both HISTORY and QUEUE allow an index to be specified. If 0, the current song is returned. For negative indices, HISTORY refers to upcoming tracks and QUEUE to previously played tracks.

Playlist Selection

The list of playlists is available to all users:

PLAYLIST LIST {predicate}

Lists playlists. The short form PLAYLIST is also accepted, but future behavior is not guaranteed; currently it generates a shorter variant. If no predicate is given, all playlists are listed.

Playlist selection is available to standard and administrative users. A playlist may be selected by:

PLAY FROM {predicate}

SELECT will choose a playlist but not alter the play state (if paused or stopped, it will remain paused). PLAY chooses a playlist and starts the player, resuming a track in progress if there is one.

  • MIX plays music from playlists currently “in the mix” (see the MIX command).
  • EVERYTHING plays music from all playlists.
  • PLAYLIST plays a single playlist conforming to the predicate.
  • FROM plays music selected by the predicate.

If the current source is #1 (media manager), MIX and EVERYTHING source from all applicable playlists/collections of all sources. Otherwise, only the active source’s playlists apply.

Choosing a playlist by ID is guaranteed to identify a unique playlist. When selecting by playlist names, duplicate names will unpredictably select one of the matching playlists.

Playback control

Playback control is available to standard and administrative ranks.


Selects random play mode and resumes playback


Sets the queue mode to stopped. The player to stop playing after the current track. NOW cancels playback as well; it is almost equivalent to STOP followed by SKIP except skip-limit checks are skipped and the skip is not counted.


PAUSE pauses or toggles playback. RESUME resumes a paused player, but does not alter the queue mode.

To skip the remainder of the current song:


In attempting to respect licenses, skips are limited by some sources. Pandora, for example, limits to 6 skips/station (playlist)/hour. (The 12/day limit for free listeners, however, is unimplemented.)

The playback volume can be adjusted with VOLUME. The natural decoding level is at level 0dB. Positive numbers increase volume (and generally introduce distortion), negative numbers decrease the volume. The range is ±100, but between –40 and 0 is practical.

To retrieve the volume level:


To set the volume level:


To adjust the volume level:

VOLUME <UP|DOWN> [{#change}]

change defaults to 1.

Crossfading can be adjusted by:


Leaving off the value retrieves current values.

Manipulating the Mix (Shuffle/QuickMix)

MIX refers to mixing playlists. The mix is composed of 1 or more playlists, with songs chosen at random among the playlists in the mix. The MIX command displays and selects participating playlists:


These commands output playlists in (not in) the mix. The short forms MIX, MIX LIST, MIX INCLUDED and MIX EXCLUDED are accepted but their future behavior is not guaranteed.

To set or revise the playlists in the mix:

MIX <SET | ADD | REMOVE | TOGGLE> {predicate}

Choosing selection method

The queue is repopulated with a few random selections (usually 4) at a time when needed. The active playlist (or the playlists encompassed for the metaplaylist MIX and EVERYTHING) always influences choices. However, There are several manners available, set via:


These function as follows:

Picks 4 songs at random. If the active playlist is a metaplaylist, they are chosen from all its enabled playlists. For the manager’s metaplaylists, 4 songs are queued from each source.
If supported by the source, randomly chooses an applicable artist and queues 4 random songs. If unsupported, behaves like SONG.
If supported, choses an applicable album and queues the entire thing, in track order. If unsupported, behaves like ARTIST.
Always supported. Picks 4 songs at random. If the active playlist is a metaplaylist, the 4 songs will come from a single playlist.
One of the aforementioned modes is chosen at random and used to fill the queue.

Finding music

There are two ways to find music:

FIND [manner] {predicate}

The format is similar to that of track information. Results may include mixed types; an expression can use TYPE={type} in a filter expression to restrict returned types. In the LIKE form, specifying a type indicates which field to search on, but does not restrict the returned type. Results are suitable for seeding. Other actions may be available, depending on the source the item originated from; the action field for each song indicates additional capabilities.

manner is one of:
SUGGESTION Shallow search (default). If an artist matches, omit individual albums and songs; if an album matches, exclude individual songs.

ALL Search exhaustively. If an artist matches, include their albums and songs too.

REQUEST Search exhaustively, but only search sources that allow requests.

SONG LIST {predicate}

Returns songs for request. Other actions may be available, depending on the source the item originated from; the action field for songs will indicate additional capabilities.

PLAYLIST SONG LIST {playlist predicate}

List all songs in a given playlist.

Requests & Queue management

For sources which support requests:

REQUEST {predicate}

For NAME and ID predicates, items are queued in the order listed. The predicate searches for songs (as does SONG LIST); however, if ID predicates are used, they may specify an artist or album. An album ID requests the album’s tracks in album order; an artist ID requests all albums in an unspecified order, but each albums’ tracks will be in album order.

Users rank can clear the request queue:


The random queue cannot be cleared.

To remove requests in either queue:

REQUEST CANCEL {predicate}

Predicate applies to the songs in the queues. Skip limiting applies, if applicable to the songs’ sources.

Music Control: Ratings & Seeds


To rate songs:

RATE <SONG | PLAYLIST> {rating} {predicate}

RATE adjusts the song or playlists’s user preference. Depending on these source, these are maintained by pianod2 or adjusted by the source’s server.

rating may be a rating adjective (see earlier) or a number in the range 0.5–5.0. Values not supported by the source are rounded if it is sane to do so.

For songs, an additional rating of OVERPLAYED has source-specific effects. For example, Pandora banishes the song for 30 days; local media reduces its play likelihood temporarily and prevents it being requested more than once per day.

If predicate is not specified, the rating applies to the present track (even if paused) or playlist.


Adding, removing and toggling seeds via a song is done via:

SEED {verb} [{type}] [{seeds_predicate}] [TO PLAYLIST {playlist_predicate}]

PLAYLIST MODIFY {playlist_predicate} {verb} SEED {verb} {seeds_predicate}


  • verb is add, delete or toggle
  • seedspredicate_ specifies the songs, artists, albums or playlists to add or remove as seeds; if omitted, uses the current song. Not all sources support all seed types.
  • playlistpredicate_ specifies playlists to apply the change to; if omitted, uses the current playlist/current track’s playlist (which must not conflict).

The two forms vary to allow both complex playlist and seed predicates.

Reviewing Seeds

To view seeds or feedback for a playlist:


If the predicate is omitted, the selected playlist is used if it is not a metaplaylist. This command returns a list of all seeds and, for some sources, ratings associated with the playlist. The format is a subset of that used for track information, with the returned fields varying depending on whether an item is a rating, song seed, album seed, artist seed, or playlist seed. Use the previously discussed SEED DELETE or RATE NEUTRAL commands to remove seeds or ratings.


To create a new playlist:

PLAYLIST CREATE [SMART] [NAME {name}] FROM {predicate}

The items selected by the predicate are added as the first seeds of the new playlist. If omitted, the current song is used. The default name varies; Pandora, for example, uses the song or artist name with “ Radio” appended. If creating a SMART playlist, the predicate is converted to an expression (if necessary) and embedded in the playlist. The playlist will include songs matched by the expression, although these are not considered seeds. Additional seeds may be added to the playlist. Removing seeds will not remove them from the playlist if they match the expression.

PLAYLIST CREATE NAME {name} WHERE {expression}

Creates a new smart playlist. The expression becomes part of the playlist, which will include songs matched by the expression, although these are not considered seeds. Additional seeds may be added to the playlist. Removing seeds will not remove them from the playlist if they match the expression.

This is rather similar to PLAYLIST CREATE SMART NAME {name} FROM ... however, that version can accept any predicate type, provides a name if one is not given, and ensures there are matching results before creation. This version is used heavily by unit test scripts.

Note similarity to PLAYLIST CREATE NAME {name} FROM WHERE {expression}, which will create a regular playlist with the matched items as starter seeds, rather than a smart playlist.

Renaming a playlist:

RENAME PLAYLIST <ID | NAME | LIKE> {playlist} TO {new name}

Deleting a playlist:


Automatic Playlist Selection (Autotuning)

With autotuning, pianod2 automatically selects QuickMix playlists based on who is listening. There are 3 ways pianod2 can assess who is listening:

Current authenticated users
I.e., users connected and authenticated at present. This can work well in environments where listeners stay connected, such as having a client open on their desktop during work.
A list of users set via the AUTOTUNE command
This method is appropriate when users will not not stay connected. For example, if listeners will be intermittently accessing pianod2 via their mobile device. In this scenario, a external helper program (such as Proximity) will update the listener list.
The superset of the two previous methods
This method combines the previous two methods.

User sets their playlist preferences with the aforementioned RATE command. Playlist preferences are persisted with user data; visitors can not create playlist preferences. Existing users can be excluded from playlist calculations by revoking influence privilege.

Autotuning is enabled by:


pianod2 tries the following successively, trying to find the best selection for the current listeners. To do this, pianod:

  1. Outright omits any playlists any current listener has rated 2 (bad) or less.
  2. Calculates average ratings for the remaining playlists, considering preferences of the current users.
  3. Omits any playlists with an average rating of less than 3 (neutral).
  4. Select for play all playlists within 1 star of the top rating. If no playlists apply, be quiet.

In the future, step 4 may be adjusted to play from all remaining playlists, but bias selections proportionally to rating.

Pianod selections are made when autotuning is first enabled and subsequently when a user authenticates or disconnects. Playlist selections can be adjusted manually but will be overwritten as listeners change unless autotuning is disabled.

If no users with influence are connected, pianod2 will play all playlists. If no users at all are connected, autotuning will pause between tracks. Music will automatically resume when a users logs in.

Note that if you have some automated process that will start music via the AS USER PLAY AUTO command, it is best to REVOKE INFLUENCE that user.

Configuring Autotuning

The method of autotuning is selected by an administrator:


LOGIN looks at users in a room. FLAG look at a user attribute flag; see below. PROXIMITY is for future use. Multiple modes may be specified; ALL is a shorthand for LOGIN FLAG PROXIMITY. If omitted, the mode is unchanged. Regardless of the mode, a user must have INFLUENCE privilege to be considered.

Administrators or others with tuner privilege can select the users considered by FLAG mode:


FOR specifies a user list; if empty, there are no listeners. CONSIDER and DISREGARD add and remove users to/from the list. This use effects all rooms.


Lists users currently considered by the autotuning algorithm. That is, users who have influence privilege and are either or logged in or flagged present in accordance with the autotuning mode.

The following settings are available for autotuning:

VETO {rating}
Rejects a playlist if any individual user rating is less than that specified.
REJECT {rating}
Rejects a playlist if the average user rating is less than that specified.
INCLUDE {rating}
Includes all playlists of the specified rating or better.
Sets a goal for number of playlists to include. If this quantity is not met by playlists meeting the include rating, then additional playlists that are neither vetoed nor rejected will be added to make up the difference, subject to the quality margin. Setting count to 0 will disable this behavior. The idea here is to set quality margins as high as possible, but be willing to sacrifice some in the name of variety.
Quality margin is used to create a sort of dynamic rejection rating, which is equal to the best average playlist rating - the margin. Used in concert with the quantity goal, this allows playlists below the include rating to be included for the sake of variety.

User Maintenance

User Security Model

User abilities consist of a rank and privileges, and are indicated at connection, authentication, and whenever they subsequently change. They can also be retrieved via the GET PRIVILEGES command.

There are 4 ranks of user: disabled, listener, standard, and administrator. Each rank has all the abilities of the lower ranks plus the ones added for that rank. The ranks have the following abilities:

No permissions to anything. However, events are still broadcast to the user.
listener (formerly guest)
Can monitor playback, check the queue and history, and yell but not effect playback behavior in any way. (However, a listener with influence privilege will influence autotuner picks.)
Adds control playback (play, pause, volume adjustment, playlist selection).
Adds network parameter control, creating and adjusting users, etc.

In addition to the ranks, there are privileges; privileges are independent of each other and rank, except that disabled rank disables all privileges too. The privileges are:

The user can change the Pandora account. All administrators gain this privilege too.
The user is the owner of the Pandora account, and can thus alter playlists, rate songs, etc. Owner privilege is assigned when a Pandora account is selected, and cannot be altered via the usual GRANT and REVOKE commands.
When autotuning, the user’s playlist ratings are considered if the user is logged in or flagged as present.
The user can set the listeners considered by the autotuning algorithm when in flag or all mode. All administrators have this privilege too.

By default, unauthenticated users (“visitors”) have listener privileges, but this can be adjusted via SET VISITOR RANK. Visitors have no privileges.

User Maintenance Commands

These administrator commands set the ranks and privileges of those using the server.

Creating users:

CREATE <LISTENER|USER|ADMIN> {name} {password}

Resetting a password:

SET USER PASSWORD {username} {password}

Viewing users:

USERS LIST [{username}]

Note that if social actions are enabled, USERS ONLINE is available to all users. However, only administrators can view user privilege details.

Changing ranks and privileges:

GRANT {privilege} TO {user} ...
REVOKE {privilege} FROM {user} ...

Rank changes are effective immediately, with privilege change messages sent when necessary.

Removing a user account:

DELETE USER {username}

Note you can not delete a user that is presently logged in. However, you can:

KICK [ALL|ROOM] USER < user > [{message}]

These terminate all sessions for the user or all visitors, respectively. However, since a misbehaving user is likely to reconnect, it may be more useful to set their rank to disabled.

When ROOM is specified, only sessions in the current room are terminated. If ALL is specified, or by default, termination applies to all rooms.


If enabled, pianod user accounts are created on-demand for system user users, initially using their system password. If a shadowed user changes their password within pianod, it applies only to pianod and their system password is unchanged.

Password shadowing may be restored:

SET SHADOW PASSWORD {pianod} {system}

Shadow users by default are disabled and have no privileges. To set some other set of privileges, choose an existing user or create a template user:


If username is empty, it dissociates the template user. You can check the current template:


Waiting for asynchronous events

To wait for a new source to be ready, include the WAIT option in the new source parameters.

To wait for a song to complete, use:


If CURRENT is specified, a song must be playing or it is an error. Without CURRENT, the command applies to the current song, or the next song if nothing is playing.

To wait for the next song to play:

WAIT FOR NEXT SONG [{options}]

This can be used even if the play is paused or stopped.

To wait for sources to become ready:

WAIT FOR SOURCE ID {id} READY [{options}]
WAIT FOR SOURCE TYPE {type} NAME {name} READY [{options}]

If PENDING is used, there must be sources currently initializing or it is an error. (See also the WAIT source option.)

Options are:

TIMEOUT {#seconds}
Fail if the event does not happen within the specified time.

Miscellaneous Controls

Comment always succeeds:

# Some text here

Note there must be a space after the hash, so:

#This is an error.

Administrators can set the number of songs that are retained by the history:


Note that pianod2 keeps a lot of metadata (like playlist seeds) around for these songs. Although the data is cached several hours, keeping history to a sane length is a good idea.

To broadcast a message to other sessions:

YELL {something}

There is no way to do a directed messages; it’s a music server, not an IM client! Available to all ranks except disabled.

This administrator setting enables or disables this social behavior; default is on:


When on, pianod2 shares significant events and user actions by broadcasting a message and identifying who originated them. This setting also controls the USERS ONLINE command availability.

Administrators can set which messages are logged to standard out:


In increasing order of detail: 0x1000 (aforementioned user actions & errors), 0xfef8, 0xfefc, 0xfefe, and 0xffff (everything) are useful. See logging.h for specific flags. Note, however, that 0x1000 creates security concerns as it will log user passwords.

User rank and privileges can be retrieved by a session:


This administrator command flushes dirty buffers, including user data and source data:


This is mostly for test, but can be used if pianod refuses to shutdown gracefully. Under normal operation, data is periodically written by pianod; more important changes promote faster writes.

Administrators can shutdown the server:


Following shutdown, each room is removed as its playback completes, with shutdown proceeding when the last room has been dissolved. To stop immediately, use STOP NOW to abort playback. Signals are also viable shutdown mechanisms; pianod2 recognizes SIGHUP, SIGTERM, and SIGINT as requests to shutdown immediately but gracefully. SIGKILL (–9) will kill pianod2 without shutdown; recent user changes, preferences and ratings may be lost.

Audio Configuration

The ROOM CREATE and ROOM RECONFIGURE commands provide options to redirect or reconfigure output. Audio options are as follows:

LIBRARY {library}

Select an output library. Unless specifically configured otherwise, you will only have one output library. When using Mac OS X’s AVFoundation as the media engine, this setting is ignored. Valid values (assuming they are compiled in) are:

  • libao
  • libsdl
  • libavdevice (part of ffmpeg)
  • gstreamer
DRIVER {driver}

Select a driver. See the various libraries’ documentation for values.

DEVICE {device}

Specify a device. See the various libraries’ documentation for values.

ID {#id}
For libao, to specify a libao output by number.
OPTIONS {options}

Other options for the audio device. See the various libraries’ documentation for values.

  • libavdevice: A string with option name-value pairs applied when opening the driver.
SERVER {server}

Destination and/or parameters applicable when an audio server driver is in use.

  • libao: Used by streaming media drivers to specify a destination.
  • libavdevice: Passed to the library as a filename when opening the output.
VOLUME {level}
The initial volume level of the room. Defaults 0dB gain.
The duration of crossfade (overlap) between songs. Defaults to 0, in which case songs are not cross-faded. Cross-fading helps reduce the sense of breaks between songs, but used wrong can be annoying; violin concertos mixing can sound like cats in heat. Fast-paced songs seem to do well with 2–2.5 seconds, classical either 0 or ~5 seconds, soft rock 5–10 seconds.
The amount of volume adjustment to apply when crossfading, in decibels. This is a positive number; the default is 10dB. The cueing song is faded from current_volume - crossfade_level to current_volume; the ending song concurrently undergoes the reverse transition.
The number of seconds early an audio player is created, relative to start of crossfade (or end of song, if crossfade is 0). This affords a chance to open devices, establish connections and begin buffering streams. If set to 0, crossfade must also be disabled. Disabling preroll is necessary with somes media engines when an audio device can’t be opened more than once, to prevent skipping alternate songs due to device-busy errors.

Options available, exact meaning and behavior depends on the platform (i.e., Linux, Mac, etc.) and compile options. For more information on options, see libao drivers, libsdl outputs, libavdevice outputs, libavdevice protocols and gstreamer plug-ins.

Platform- & Library-Specific Audio Issues

gstreamer security

A pipeline may be specified for the gstreamer output, which has potential for security issues and abuse. When using gstreamer, it’s extra important to lock down security via means such as:

  • Don’t run the daemon as root.
  • Isolate the daemon in its own user account, without access to other users’ files.
  • Prevent Internet access to pianod via a firewall.
  • Keep visitor privilege level set low.
  • Use good passwords on administrator accounts.


libavdevice with ALSA

libavdevice may not default to the ALSA driver.


Furthermore, some implementations/versions consider the ALSA driver experimental:

ROOM RECONFIGURE OPTIONS "strict=experimental"