pianod2
multisource multiuser scriptable networked music player
pianod2 Commands

Warning: Although similar to the original pianod protocol, enhancements in pianod2 are incompatible. If you are working with the original pianod, refer to the documentation included with the original.

Commands are not case sensitive. Quoting may be done with single or double quotes, but must match. Starting and ending quotes must respectively lead a word and trail words. The quote may be inserted into the string by doubling it in place:

Logging in

To authenticate with pianod2, issue:

USER {username} {password}

When the session is complete:

QUIT

When scripting pianod2, A single command can be issued via:

AS USER {user} {password} {command}

This authenticates as the specified user, executes the command, and closes the connection. (WAIT commands are respected, and close when the waited-on event occurs.) The AS USER form does not broadcast user login/logout or effect autotuning. This is intended to ease implementation of simpler clients and automation systems that do not hold connections open.

A freshly installed pianod2 system will have a single user 'admin' with password 'admin'.

After authenticating, a user can change their password:

SET PASSWORD {old} {new}

Help

Help is displayed based on user rank and privileges; listeners will see only listener-only commands; administrators will see the full list. Specifying a command lists matching commands only.

HELP [{command}]

Sources

pianod2 supports multiple sources. A source can be:

Each pianod2 session has a current source. At login, the source is the media manager, assigned source #1, which aggregates all other sources’ playlists and collections.

When another source is created, it is assigned an ID which can be used to select that source:

SOURCE SELECT ID {#id}

Sources can also be selected by type:

SOURCE SELECT TYPE {type} NAME {name}

type describes the kind of source, such as Pandora or tonegenerator. name may be specified when a source is created, but usually defaults to the pianod username.

To view the current sources:

SOURCE LIST <ENABLED|AVAILABLE|MINE|TYPE>

Lists sources in use, those with stored credentials (which may or may not presently be in use), those owned by the user, and the types compiled into pianod.

Removing is broken into two aspects, disconnect and forgetting. Disconnecting sources parallels selecting:

SOURCE DISCONNECT ID {#id}
SOURCE DISCONNECT TYPE {type} NAME {name}

This disconnects an active source, but if remembered or restored (see standard options below) its parameters are retained. These parameters may be removed by:

SOURCE FORGET TYPE {name} NAME {name}

Forgetting removes stored parameters, but does not disconnect the source.

If a source is busy (currently playing a song), its removal is processed but deferred until it is free.

A single command may be executed with a different source:

WITH SOURCE ID {id} {command} …
WITH SOURCE TYPE {type} NAME {name} {command} …

Standard Source Options

There are some standard options when creating any source:

REMEMBER : Persist the source options. For security, options are stored with the creating user’s data, not the owning user. Passwords are enciphered to prevent casual reading but are not stored in a cryptographically secure manner. May not be used with OWNER.

OWNED BY {user} : Assigns ownership of the source to the specified user. May not be used with REMEMBER.

WAIT : Waits for the source to become ready. Depending on the source and conditions, this may be some time.

NAME {name} : Assigns a name; the default is the user’s name. The source type and name can be used to select sources. The type/name pair must be unique to add a source. A remembered source will overwrite an existing one with that type and name.

ACCESS <DISOWNED|PRIVATE|SHARED|PUBLISHED|PUBLIC> : Set access for the source. DISOWNED: Nobody can manipulate the source. PRIVATE: Only the owner may use or modify the source. SHARED: Anyone may use the source, but only the owner can review details or modify it. PUBLISHED: Anyone may use or review the source, but only the owner may modify it. PUBLIC: Anyone may use, review, or modify the source.

SONG PROXY {proxy-mode} : proxy-mode may be DONOR, RECIPIENT, or NONE. When playing a song from a proxy recipient, pianod checks proxy donors for a matching item. If found, the donor item is transparently substituted. Donors incapable of requests are ignored.

Pandora Sources

Administrators and those with service privilege can add a Pandora source:

PANDORA [PLUS] USER {username} {password} [{connection options}] …

If PLUS is specified, Pandora Plus connection parameters and a higher audio quality are used. Otherwise, the standard values are used.

In addition to standard source parameters, connection parameters may include:

PROXY {url} : Set a proxy

CONTROL PROXY {url} : Set a control proxy, typically for those outside the USA. For information on proxies, see The Onion Router (tor).

PAUSE TIMEOUT {#duration:15-86400} : When paused this duration (in seconds), playback is cancelled.

PLAYLIST TIMEOUT {#duration:1800-86400} : Playlist items expire this number of seconds after retrieval.

AUDIO QUALITY <HIGH | MEDIUM | LOW> : Choose the audio quality.

RPC HOST {hostname} : Set the Pandora RPC hostname.

RPC TLS PORT {#port} : Set the port for RPCs over TLS.

PARTNER {user} {password} : Set the Pandora Partner username and password.

ENCRYPTION PASSWORD {password} : Set the enciphering password for data sent to the server.

DECRYPTION PASSWORD {password} : Set the deciphering password for data sent by the server.

To view a Pandora source’s parameters, select that source and:

PANDORA SETTINGS

Filesystem Source

The filesystem source uses a media collection from a local hard drive or mounted network drive (share).

FILESYSTEM ADD {path} [{parameters}] …

Path must be a fully-qualified path to a directory where media is located. Subdirectories are recursed to find media, but symbolic links are not followed. If adding a large collection, the initial add may take a while.

In addition to standard parameters, filesystem sources support:

RESCAN <ONCE|ALWAYS|NEVER|PERIODICALLY> : Whether to rescan the filesystem media files on load. In addition to adding new media and removing missing media, the catalog is updated to reflect metadata updates in the files. An initial scan is done regardless of this setting. The source does not become ready until an on-load scan is complete. However, periodic scans are performed on the live source. The period is currently each day.

RATINGS BIAS {1-100} : Controls amount of selection bias applied based on ratings. When set to 1, track selection is not effected by ratings. At 100, a top rating is preferred 10:1 over neutral, while a bottom rating preferred 1/20th a neutral-rated track.

RECENT BIAS {0-100} : Controls selection bias based on last play. At 1, no bias is applied; at 100, the chance assigned each song is roughly linear to the time since last play.

Rescanning for new media can also be requested on an active filesystem source. Use SOURCE SELECT or WITH SOURCE to choose a filesystem source, then:

FILESYSTEM RESCAN [FRESH]

The source remains available during rescan. Fresh rescans trash the existing index and rebuild. Playlists are retained. This fixes some problems (such as albums erroneously marked as compilations because of bad metadata, which has since been corrected), but risks changing the IDs assigned some media, effecting seeds and ratings.

Tone generator Source

The tone generator is used for audio testing, troubleshooting and debugging.

TONE GENERATOR ACTIVATE [{parameters}] …

The tone generator includes 1KHz and 440Hz “A” test tones, all four Westminster quarters, a variety of telephone tones and the legacy EBS tone for when you really want people to go home at the end of the party. (The Intergalactic Computer Distress Signal may also serve this function effectively.)

Restoring from a persisted source/credentials

To use persisted source credentials:

{source type} USE {name} {connection options} …

name is the instance name given when originally created. Default naming varies by source type.

Rooms

Pianod2 supports multiple output devices, each with its own sources, music, and other controls. Each output device is a pianod2 “room”, each room represents a zone in home automation scenario. The initial room is named pianod, and newly connected users start in that room. To create a new room:

ROOM CREATE {roomname} [{audio_options}] …

See Audio Configuration for more information on audio options.

To view available rooms:

ROOMS LIST

To switch rooms:

ROOM SELECT {roomname}

The current room’s audio options may be changed:

ROOM RECONFIGURE [{audio options}] …

To remove rooms:

ROOM DELETE {roomname} [NOW]

roomname may not be the initial room (pianod). A song in play is allowed to complete, unless NOW is specified. Users in the room are logged out when the room is removed.

Status commands

Status commands are available to all users.

The "null" command is done by sending an empty line. This reports the status of playback and the playback time within the current song, if applicable.

Other status commands are:

STATUS

Status indicates the current song, if there is one. It also causes player status, selected playlist and source, and current room to be announced (though these are outside the data response).

HISTORY LIST [{index}]
QUEUE LIST [{index}]

HISTORY LIST returns a list of items previously played, up to the history size limit, or the specific history item if an index is specified.

QUEUE LIST does the same for upcoming songs. The queue/playlist replenishes periodically when it it has become empty. The random queue may contain songs which are never played if their playlist is no longer applicable when they reach the front of the queue; in this case, they simply disappear. Furthermore, requests are always queued before any randomly chosen selections.

Both HISTORY and QUEUE allow an index to be specified. If 0, the current song is returned. For negative indices, HISTORY refers to upcoming tracks and QUEUE to previously played tracks.

Playlist Selection

The list of playlists is available to all users:

PLAYLIST LIST {predicate}

Lists playlists. The short form PLAYLIST is also accepted, but future behavior is not guaranteed; currently it generates a shorter variant. If no predicate is given, all playlists are listed.

Playlist selection is available to standard and administrative users. A playlist may be selected by:

SELECT <MIX | EVERYTHING>
PLAY <MIX | EVERYTHING>
SELECT PLAYLIST <ID | NAME | LIKE> {playlist}
PLAY FROM {predicate}

SELECT will choose a playlist but not alter the play state (if paused or stopped, it will remain paused). PLAY chooses a playlist and starts the player, resuming a track in progress if there is one.

If the current source is #1 (media manager), MIX and EVERYTHING source from all applicable playlists/collections of all sources. Otherwise, only the active source’s playlists apply.

Choosing a playlist by ID is guaranteed to identify a unique playlist. When selecting by playlist names, duplicate names will unpredictably select one of the matching playlists.

Playback control

Playback control is available to standard and administrative ranks.

PLAY [RANDOM]

Selects random play mode and resumes playback

STOP [NOW]

Sets the queue mode to stopped. The player to stop playing after the current track. NOW cancels playback as well; it is almost equivalent to STOP followed by SKIP except skip-limit checks are skipped and the skip is not counted.

PAUSE [TOGGLE]
RESUME

PAUSE pauses or toggles playback. RESUME resumes a paused player, but does not alter the queue mode.

To skip the remainder of the current song:

SKIP

In attempting to respect licenses, skips are limited by some sources. Pandora, for example, limits to 6 skips/station (playlist)/hour. (The 12/day limit for free listeners, however, is unimplemented.)

The playback volume can be adjusted with VOLUME. The natural decoding level is at level 0dB. Positive numbers increase volume (and generally introduce distortion), negative numbers decrease the volume. The range is ±100, but between -40 and 0 is practical.

To retrieve the volume level:

VOLUME

To set the volume level:

VOLUME LEVEL {#level}

To adjust the volume level:

VOLUME <UP|DOWN> [{#change}]

change defaults to 1.

Crossfading can be adjusted by:

CROSSFADE DURATION [{seconds}]
CROSSFADE LEVEL [{level}]

Leaving off the value retrieves current values.

Manipulating the Mix (Shuffle/QuickMix)

MIX refers to mixing playlists. The mix is composed of 1 or more playlists, with songs chosen at random among the playlists in the mix. The MIX command displays and selects participating playlists:

MIX LIST INCLUDED
MIX LIST EXCLUDED

These commands output playlists in (not in) the mix. The short forms MIX, MIX LIST, MIX INCLUDED and MIX EXCLUDED are accepted but their future behavior is not guaranteed.

To set or revise the playlists in the mix:

MIX <SET | ADD | REMOVE | TOGGLE> {predicate}

Choosing selection method

The queue is repopulated with a few random selections (usually 4) at a time when needed. The active playlist (or the playlists encompassed for the metaplaylist MIX and EVERYTHING) always influences choices. However, There are several manners available, set via:

QUEUE RANDOMIZE BY <SONG | ALBUM | ARTIST | PLAYLIST | RANDOM>

These function as follows:

SONG : Picks 4 songs at random. If the active playlist is a metaplaylist, they are chosen from all its enabled playlists. For the manager’s metaplaylists, 4 songs are queued from each source.

ARTIST : If supported by the source, randomly chooses an applicable artist and queues 4 random songs. If unsupported, behaves like SONG.

ALBUM : If supported, choses an applicable album and queues the entire thing, in track order. If unsupported, behaves like ARTIST.

PLAYLIST : Always supported. Picks 4 songs at random. If the active playlist is a metaplaylist, the 4 songs will come from a single playlist.

RANDOM : One of the aforementioned modes is chosen at random and used to fill the queue.

Finding music

There are two ways to find music:

FIND [manner] {predicate}

The format is similar to that of track information. Results may include mixed types; an expression can use TYPE={type} in a filter expression to restrict returned types. In the LIKE form, specifying a type indicates which field to search on, but does not restrict the returned type. Results are suitable for seeding. Other actions may be available, depending on the source the item originated from; the action field for each song indicates additional capabilities.

manner is one of:

:SUGGESTION Shallow search (default). If an artist matches, omit individual albums and songs; if an album matches, exclude individual songs.

:ALL Search exhaustively. If an artist matches, include their albums and songs too.

:REQUEST Search exhaustively, but only search sources that allow requests.

SONG LIST {predicate}

Returns songs for request. Other actions may be available, depending on the source the item originated from; the action field for songs will indicate additional capabilities.

PLAYLIST SONG LIST {playlist predicate}

List all songs in a given playlist.

Requests & Queue management

For sources which support requests:

REQUEST {predicate}

For NAME and ID predicates, items are queued in the order listed. The predicate searches for songs (as does SONG LIST); however, if ID predicates are used, they may specify an artist or album. An album ID requests the album’s tracks in album order; an artist ID requests all albums in an unspecified order, but each albums’ tracks will be in album order.

Users rank can clear the request queue:

REQUEST CLEAR

The random queue cannot be cleared.

To remove requests in either queue:

REQUEST CANCEL {predicate}

Predicate applies to the songs in the queues. Skip limiting applies, if applicable to the songs’ sources.

Music Control: Ratings & Seeds

Ratings

To rate songs:

RATE <SONG | PLAYLIST> {rating} {predicate}

RATE adjusts the song or playlists’s user preference. Depending on these source, these are maintained by pianod2 or adjusted by the source’s server.

rating may be a rating adjective (see earlier) or a number in the range 0.5–5.0. Values not supported by the source are rounded if it is sane to do so.

For songs, an additional rating of OVERPLAYED has source-specific effects. For example, Pandora banishes the song for 30 days; local media reduces its play likelihood temporarily and prevents it being requested more than once per day.

If predicate is not specified, the rating applies to the present track (even if paused) or playlist.

Seeds

Adding, removing and toggling seeds via a song is done via:

SEED {verb} [{type}] [{seeds_predicate}] [TO PLAYLIST {playlist_predicate}]

PLAYLIST MODIFY {playlist_predicate} {verb} SEED {verb} {seeds_predicate}

Where:

The two forms vary to allow both complex playlist and seed predicates.

Reviewing Seeds

To view seeds or feedback for a playlist:

SEED LIST [PLAYLIST <ID | NAME | LIKE> {playlist}]

If the predicate is omitted, the selected playlist is used if it is not a metaplaylist. This command returns a list of all seeds and, for some sources, ratings associated with the playlist. The format is a subset of that used for track information, with the returned fields varying depending on whether an item is a rating, song seed, album seed, artist seed, or playlist seed. Use the previously discussed SEED DELETE or RATE NEUTRAL commands to remove seeds or ratings.

Playlists

To create a new playlist:

PLAYLIST CREATE [SMART] [NAME {name}] FROM {predicate}

The items selected by the predicate are added as the first seeds of the new playlist. If omitted, the current song is used. The default name varies; Pandora, for example, uses the song or artist name with " Radio" appended. If creating a SMART playlist, the predicate is converted to an expression (if necessary) and embedded in the playlist. The playlist will include songs matched by the expression, although these are not considered seeds. Additional seeds may be added to the playlist. Removing seeds will not remove them from the playlist if they match the expression.

PLAYLIST CREATE NAME {name} WHERE {expression}

Creates a new smart playlist. The expression becomes part of the playlist, which will include songs matched by the expression, although these are not considered seeds. Additional seeds may be added to the playlist. Removing seeds will not remove them from the playlist if they match the expression.

This is rather similar to PLAYLIST CREATE SMART NAME {name} FROM ... however, that version can accept any predicate type, provides a name if one is not given, and ensures there are matching results before creation. This version is used heavily by unit test scripts.

Note similarity to PLAYLIST CREATE NAME {name} FROM WHERE {expression}, which will create a regular playlist with the matched items as starter seeds, rather than a smart playlist.

Renaming a playlist:

RENAME PLAYLIST <ID | NAME | LIKE> {playlist} TO {new name}

Deleting a playlist:

DELETE PLAYLIST <ID | NAME | LIKE> {playlist}

Automatic Playlist Selection (Autotuning)

With autotuning, pianod2 automatically selects QuickMix playlists based on who is listening. There are 3 ways pianod2 can assess who is listening:

Current authenticated users : I.e., users connected and authenticated at present. This can work well in environments where listeners stay connected, such as having a client open on their desktop during work.

A list of users set via the AUTOTUNE command : This method is appropriate when users will not not stay connected. For example, if listeners will be intermittently accessing pianod2 via their mobile device. In this scenario, a external helper program (such as Proximity) will update the listener list.

The superset of the two previous methods : This method combines the previous two methods.

User sets their playlist preferences with the aforementioned RATE command. Playlist preferences are persisted with user data; visitors can not create playlist preferences. Existing users can be excluded from playlist calculations by revoking influence privilege.

Autotuning is enabled by:

PLAY AUTO

pianod2 tries the following successively, trying to find the best selection for the current listeners. To do this, pianod:

  1. Outright omits any playlists any current listener has rated 2 (bad) or less.
  2. Calculates average ratings for the remaining playlists, considering preferences of the current users.
  3. Omits any playlists with an average rating of less than 3 (neutral).
  4. Select for play all playlists within 1 star of the top rating. If no playlists apply, be quiet.

In the future, step 4 may be adjusted to play from all remaining playlists, but bias selections proportionally to rating.

Pianod selections are made when autotuning is first enabled and subsequently when a user authenticates or disconnects. Playlist selections can be adjusted manually but will be overwritten as listeners change unless autotuning is disabled.

If no users with influence are connected, pianod2 will play all playlists. If no users at all are connected, autotuning will pause between tracks. Music will automatically resume when a users logs in.

Note that if you have some automated process that will start music via the AS USER PLAY AUTO command, it is best to REVOKE INFLUENCE that user.

Configuring Autotuning

The method of autotuning is selected by an administrator:

AUTOTUNE MODE <LOGIN | FLAG | PROXIMITY | ALL | settings> …

LOGIN looks at users in a room. FLAG look at a user attribute flag; see below. PROXIMITY is for future use. Multiple modes may be specified; ALL is a shorthand for LOGIN FLAG PROXIMITY. If omitted, the mode is unchanged. Regardless of the mode, a user must have INFLUENCE privilege to be considered.

Administrators or others with tuner privilege can select the users considered by FLAG mode:

AUTOTUNE FOR ...
AUTOTUNE CONSIDER <user> ...
AUTOTUNE DISREGARD <user> ...

FOR specifies a user list; if empty, there are no listeners. CONSIDER and DISREGARD add and remove users to/from the list. This use effects all rooms.

AUTOTUNE LIST USERS

Lists users currently considered by the autotuning algorithm. That is, users who have influence privilege and are either or logged in or flagged present in accordance with the autotuning mode.

The following settings are available for autotuning:

VETO {rating} : Rejects a playlist if any individual user rating is less than that specified.

REJECT {rating} : Rejects a playlist if the average user rating is less than that specified.

INCLUDE {rating} : Includes all playlists of the specified rating or better.

QUANTITY GOAL {#count} : Sets a goal for number of playlists to include. If this quantity is not met by playlists meeting the include rating, then additional playlists that are neither vetoed nor rejected will be added to make up the difference, subject to the quality margin. Setting count to 0 will disable this behavior. The idea here is to set quality margins as high as possible, but be willing to sacrifice some in the name of variety.

QUALITY MARGIN {#margin} : Quality margin is used to create a sort of dynamic rejection rating, which is equal to the best average playlist rating - the margin. Used in concert with the quantity goal, this allows playlists below the include rating to be included for the sake of variety.

User Maintenance

User Security Model

User abilities consist of a rank and privileges, and are indicated at connection, authentication, and whenever they subsequently change. They can also be retrieved via the GET PRIVILEGES command.

There are 4 ranks of user: disabled, listener, standard, and administrator. Each rank has all the abilities of the lower ranks plus the ones added for that rank. The ranks have the following abilities:

disabled : No permissions to anything. However, events are still broadcast to the user.

listener (formerly guest) : Can monitor playback, check the queue and history, and yell but not effect playback behavior in any way. (However, a listener with influence privilege will influence autotuner picks.)

standard : Adds control playback (play, pause, volume adjustment, playlist selection).

administrator : Adds network parameter control, creating and adjusting users, etc.

In addition to the ranks, there are privileges; privileges are independent of each other and rank, except that disabled rank disables all privileges too. The privileges are:

service : The user can change the Pandora account. All administrators gain this privilege too.

deejay : The user can request music and cancel songs that have been queued. Standard rank includes these privileges and far more.

influence : When autotuning, the user's playlist ratings are considered if the user is logged in or flagged as present.

tuner : The user can set the listeners considered by the autotuning algorithm when in flag or all mode. All administrators have this privilege too.

By default, unauthenticated users ("visitors") have listener privileges, but this can be adjusted via SET VISITOR RANK. Visitors have no privileges.

User Maintenance Commands

These administrator commands set the ranks and privileges of those using the server.

Creating users:

CREATE <LISTENER|USER|ADMIN> {name} {password}

Resetting a password:

SET USER PASSWORD {username} {password}

Viewing users:

USERS LIST [{username}]
USERS ONLINE
USERS WITH <OWNER|SERVICE|INFLUENCE|TUNER|PRESENT>

Note that if social actions are enabled, USERS ONLINE is available to all users. However, only administrators can view user privilege details.

Changing ranks and privileges:

SET VISITOR RANK <DISABLED|LISTENER|USER|ADMIN>
SET USER RANK {user} <DISABLED|LISTENER|USER|ADMIN>
GRANT {privilege} TO {user} ...
REVOKE {privilege} FROM {user} ...

Rank changes are effective immediately, with privilege change messages sent when necessary.

Removing a user account:

DELETE USER {username}

Note you can not delete a user that is presently logged in. However, you can:

KICK [ALL|ROOM] USER < user > [{message}]
KICK [ALL|ROOM] VISITORS [{message}]

These terminate all sessions for the user or all visitors, respectively. However, since a misbehaving user is likely to reconnect, it may be more useful to set their rank to disabled.

When ROOM is specified, only sessions in the current room are terminated. If ALL is specified, or by default, termination applies to all rooms.

Shadowing

If enabled, pianod user accounts are created on-demand for system user users, initially using their system password. If a shadowed user changes their password within pianod, it applies only to pianod and their system password is unchanged.

Password shadowing may be restored:

SET SHADOW PASSWORD {pianod} {system}

Shadow users by default are disabled and have no privileges. To set some other set of privileges, choose an existing user or create a template user:

SET SHADOW USER NAME {username}

If username is empty, it dissociates the template user. You can check the current template:

GET SHADOW USER NAME

Waiting for asynchronous events

To wait for a new source to be ready, include the WAIT option in the new source parameters.

To wait for a song to complete, use:

WAIT FOR END OF [CURRENT] SONG [{options}]

If CURRENT is specified, a song must be playing or it is an error. Without CURRENT, the command applies to the current song, or the next song if nothing is playing.

To wait for the next song to play:

WAIT FOR NEXT SONG [{options}]

This can be used even if the play is paused or stopped.

To wait for sources to become ready:

WAIT FOR SOURCE ALL [PENDING] READY [{options}]
WAIT FOR SOURCE ANY [PENDING] READY [{options}]
WAIT FOR SOURCE ID {id} READY [{options}]
WAIT FOR SOURCE TYPE {type} NAME {name} READY [{options}]

If PENDING is used, there must be sources currently initializing or it is an error. (See also the WAIT source option.)

Options are:

TIMEOUT {#seconds} : Fail if the event does not happen within the specified time.

Miscellaneous Controls

Comment always succeeds:

# Some text here

Note there must be a space after the hash, so:

#This is an error.

Administrators can set the number of songs that are retained by the history:

SET HISTORY LENGTH {number}

Note that pianod2 keeps a lot of metadata (like playlist seeds) around for these songs. Although the data is cached several hours, keeping history to a sane length is a good idea.

To broadcast a message to other sessions:

YELL {something}

There is no way to do a directed messages; it's a music server, not an IM client! Available to all ranks except disabled.

This administrator setting enables or disables this social behavior; default is on:

ANNOUNCE USER ACTIONS <ON|OFF>

When on, pianod2 shares significant events and user actions by broadcasting a message and identifying who originated them. This setting also controls the USERS ONLINE command availability.

Administrators can set which messages are logged to standard out:

SET [FOOTBALL] LOGGING FLAGS {value}

In increasing order of detail: 0x1000 (aforementioned user actions & errors), 0xfef8, 0xfefc, 0xfefe, and 0xffff (everything) are useful. See logging.h for specific flags. Note, however, that 0x1000 creates security concerns as it will log user passwords.

User rank and privileges can be retrieved by a session:

GET PRIVILEGES

This administrator command flushes dirty buffers, including user data and source data:

SYNC

This is mostly for test, but can be used if pianod refuses to shutdown gracefully. Under normal operation, data is periodically written by pianod; more important changes promote faster writes.

Administrators can shutdown the server:

SHUTDOWN

Following shutdown, each room is removed as its playback completes, with shutdown proceeding when the last room has been dissolved. To stop immediately, use STOP NOW to abort playback. Signals are also viable shutdown mechanisms; pianod2 recognizes SIGHUP, SIGTERM, and SIGINT as requests to shutdown immediately but gracefully. SIGKILL (-9) will kill pianod2 without shutdown; recent user changes, preferences and ratings may be lost.